The History of British Art

British Art History

Date/time:
23 April 2013 - 25 June 2013
Tuesdays 10.45am - 12.45pm
Venue:
1 Berkeley Street, London W1J 8DJ
Lecturer:
Marie-Anne Mancio
Fees:
Full course (10 lectures) £370.00
Single lecture £42.00
(Includes morning coffee, biscuits and refreshments)

Book your place now on this The History of British Art Course

“Excellent!”

This course explores the history and development of British art from Holbein to Hirst. It will discuss portraiture, landscape, politics, and patrons  through the work of British favourites like Hogarth and Gainsborough, Turner, the Pre-Raphaelites, the Bloomsbury set, Hepworth and Moore, and the controversial Young British Artists.

Course outline

23
Apr
2013
Renaissance and Reformation : British Art and Hans Holbein

Artists: Hans Holbein and John Bettes

You will be introduced to the course and methods of analysis. The prime focus will be on the work of Hans Holbein in the 16th Century. You will explore the Renaissance in art and its effect in Britain, especially the impact of the Reformation on portraiture.

30
Apr
2013
People, Pictures and Propaganda: Portraiture in the 16th and 17th Century

Artists: Nicholas Hilliard and Anthony Van Dyck

This session will look at British art after the Renaissance. You will focus primarily on the persistence of portraiture as a distinctly British genre, and look analytically and critically at painters such as Hilliard and Van Dyck and their relationship to politics and their patrons.

07
May
2013
Academies & Canons: British Art in the 18th Century

Artists: Joshua Reynolds, Thomas Gainsborough and Angelica Kauffman

Key developments during the 18th Century will be discussed including the trend for neo-classicism and the founding of the Royal Academy. You will reflect on Reynolds' portraits and lectures at the Academy, and explore how 18th Century British artists began to expand their art and explore new subjects through their work.

14
May
2013
Beautiful Imaginations and Genius: British Romanticism and The Sublime

Artists: William Hogarth, William Blake and John Martin

This session continues your exploration of art in the 18th Century in response to the Enlightenment. You will explore how artists addressed issues of commercialism surrounding their work, as well as their embracing of new, exciting and personal subject matter.

21
May
2013
All that is solid melts into air: British Art & Modern Painting

Visit to Tate Britain
Artists:
Dante Gabriel Rossetti, John Edward Millais & Whistler

This visit will explore art produced around the time of the Industrial Revolution (1800s) and will determine how artists responded to such huge social and cultural developments. The Pre-Raphaelites will be compared to British painters inspired by the French Impressionists.

28
May
2013
The Broken Touch: Modern British Art

Artists: The Bloomsbury Group, Jacob Epstein and David Bomberg

Here you will explore developments in painting after the Industrial Revolution and how British artists responded to European avant-garde movements. You will also examine the First World War and how it affected the themes and forms of British painting.

04
Jun
2013
Truth to Materials: Modern British Sculpture and The St. Ives School

Artists: Ben Nicholson, Barbara Hepworth and Henry Moore

This session will explore Modern British art produced between the two World Wars, particularly paintings and sculptures by artists in St. Ives who made significant contributions to abstract art.

11
Jun
2013
This is Tomorrow: Post-War British Art & Popular Culture

Artists: Edward Paolozzi, Richard Hamilton and Peter Blake

You will look at developments in British art after the Second World War and the relationship between popular culture, consumerism, advertising and Pop Art.

18
Jun
2013
Disturbing Comforts: The Body and BritArt

Artists: Francis Bacon, Mark Wallinger, Sarah Lucas, Jenny Saville & Damien Hirst

This session explores the boom in popularity of British artists during the 80s and 90s, exploring art’s relationship to political climates, contemporary patrons, and public sensibility. Did the BritArtists deliberately intend to shock? How important was Charles Saatchi for British art in the 1990s?

25
Jun
2013
Building Ruins: Contemporary British Art

This concluding session aims to give an overview of what is happening in contemporary British art: who are the new leading lights and what are their concerns? What is the future of British Art?